Natalie Klave
The ‘Compressionism’ body of work originated in the examination of the Japanese tenet of Wabi. Through ’squashing’ experiments with metal, Natalie became intrigued with the unpredictable and relatively uncontrollable distortion.
Through the grace and fluidity of this series, the wearer is invited to enjoy the contradictions and randomness of something that we usually know to be rigid and uncompromising.